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Chopsticks
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June 2018
The Chorus
If
you’re anything like me or like just about every writer I’ve
ever talked to, you have a chorus of mean voices in your head. They
say things like this:
This
is hack work.
You’re
a terrible writer.
You’ve
overworked this and ruined it.
You
should delete all copies of everything you’ve ever written.
Have
you considered becoming a plumber, because that’s how most
people who have this much shit in their heads deal with it?
You’ve
never had an original idea in your life.
No
one will ever read this without being paid.
This
proves you are a terrible person with a small, petty mind.
None
of this makes any sense. Start over.
Friends
don’t let friends publish stuff like this. Where are my
friends?
Take
the garbage out! This stinks!
No
one talks like that.
You’re
really going to spend a paragraph talking about that?
This
character has no redeeming qualities.
Did
you ever learn how to spell?
You
took out all the parts you should have left in and left in all the
parts you should have taken out.
This
plot is hackneyed dreck.
The
ending is obvious from the very first page.
Sometimes
it can help to write down the gist of each of these voices and then
when they start to get really loud, welcome them in to the room. I
know that sounds crazy and counter-intuitive. Most people try to push
the voices out and that can work sometimes. But I find that nodding
to each of them, acknowledging them, and saying hello works better
for me.
These
voices are, of course, another part of me. They’re the scared
part, the part that has been hurt before, the part that is cautious
and warning me about the future. And there’s no reason to be
afraid of these voices. They’re not bad. They’re
just—there. So wave hello and welcome them to your life.
They’re actually going to help you write this book. Because
your characters are going to have these voices too, if they’re
sane and doing anything that has any value, which I hope that they
are.
And
more than that, these voices are going to help you deal with critics.
Your critics are all going to say the same things that these voices
told you. And when they do, instead of them hurting you, just nod and
wave and welcome them into the room. You know that there is a dark
side to your work. You know that in order to do what you did there,
you also had to live with that there.
You
can try to answer these voices with some positive thoughts like
these:
You
got this awesome book review or, Your writers group loved this!
I’m
doing something different and new. It’s in process.
I’m
good at dialog and inner monolog. I’m the queen of plot
twists!
It
only matters what the people who like books like mine say.
There
are good parts here. I just have to remember them.
This
one sentence is perfect and I love it!
I
won that award in college. I must have some talent!
My
family believes in me. I can do this!
I
enjoy writing and that’s what matters.
Harry
Potter was rejected by more than twenty publishers.
Jane
Austen was universally panned by reviewers in her day.
I’m
going to be on the NYT bestseller list someday!
My
imagination means that I can just as easily imagine good things as
bad things happening to me. If necessary, I can make them into a
story with me as the star. Ever written a novel with an obscure
writer who becomes successful despite all odds? Well, that’s
what you need to write about yourself.
Read more by Mette Ivie Harrison