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Plotbot
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February 2018
Rube Goldberg Love
All this mean I by Love, that my feeling
Astonishes with its wondrous working
So fiercely that when I on love do think
I know not well whether I float or sink.
-Geoffrey Chaucer, inventor of Valentine’s Day
There's an old BBC show
about the history of science and technology called Connections,
hosted by James Burke, which had a big influence on me during grad
school. He would start by standing in a pasture somewhere and
claiming something outrageous, like “Sheep led directly to
computers.” Having defined the endpoints of his argument, he
would then step through documented historical events, building a
completely plausible narrative to support that argument, commenting
on the individual events and the emerging pattern with a
characteristically dry British wit. My roommates were just as
enchanted as I was, and we made it a habit of meeting for supper and
watching it together.
Some scientists really
like this detailed, step-by-step understanding of the world, which I
call “Rube Goldberg science,” after the famous cartoonist
of the early 20th century, who specialized in drawing
complicated machines that performed simple tasks. There are molecular
biologists who have spent decades working out one particular
biochemical pathway or signaling cascade. Those diagrams often remind
me (and others)
of Rube Goldberg machines. One might ask why they need to be so
complicated, and there are a couple of surprisingly straightforward
answers:
the more steps
there are, the more control points there are, and the more
finely the level of the final product can be controlled (I would
tell my music-obsessed students to think about a single volume knob
vs. separate bass and treble knobs); and
speed. Each
step in a cascade can serve as a multiplier, allowing the cell to
make a lot of the final product really quickly. In engineering
terms, three amplifiers with gain three, arranged in a row, are
equivalent to a single amplifier with gain 27 (3x3x3), which might
be a lot harder to build.
Neither of those
reasons addresses the process by which biological networks are
built, namely random mutation and environmental selection. The most
common way to get a new enzyme is to duplicate and then mutate the
gene that codes for it. That process is an important constraint on
the evolving networks, but really a topic for another day.
Other scientists,
constrained by current data and technology, or simply by the way
their own imaginations work, prefer to think at a more abstract
level. They might say, “Sheep to computers—right! That
makes perfect sense!” and start working out the
implications of that relationship. BF Skinner used the engineering
phrase black box to describe this situation. For those
personalities, as long as the input → output relationships work
experimentally, who cares what's going on inside the box?
Fantasists are more
often of this type than SF-writing engineers. They have long
described social relationships between people as lines of light. Two
random examples from my own reading would be Paul de Filippo’s
“Lennon Spex,” where connections are color-coded by type
and strength, and Jack Chalker’s Changewinds series,
where the thin red line of a love spell connecting two of the
characters could be followed like a scent trail by those with magical
vision.
For a visual species
like humans, this is a compelling metaphor, and a useful one.
Connections can have different thicknesses, or weights,
to use the term neural network researchers prefer. They can be
one-way connections, as the emotional “ties”
between characters in the Australian swashbuckling RPG
Lace & Steel, or they can be two-way
connections, the way most online social networks are currently
described through graph theory. The most appropriate abstraction
depends entirely on what specific behaviors the modeler is attempting
to capture, and what will most easily allow comparison to what
previous modelers have done.
One could attempt to
break social connections down to every light ray that bounces off the
partners' bodies, every ripple of sound that passes between them,
every chemical messenger that forms a physical vapor trail connecting
the skin of one partner to the mucous membranes inside the nose of
the other. That would be difficult, time-consuming, and in many cases
might be overkill. Correlating the observable behaviors of the two
partners, Skinner-style, might be good enough in most cases. Again,
Gottman's group can predict divorce
with over 90%
success from recording a few minutes of contentious
interaction.
The reason I'm laying
all this out is to introduce a pair of self-help books I have found
very useful, both of which address classic science fiction/fantasy
character dynamics. The first, Controlling People, lays
out a fairly abstract model in which a Controller, alienated from his
own emotions, behaviorally broadcasts imaginary constructs about how
humans should act rather than receiving information about how
humans really do act (the most common one I experience is
random strangers telling me to smile). The author, Patricia Evans,
calls these assaults on the psychic
boundaries of others “backward connections.”
Now, any and all human perception is a compromise
between a predicted reality and the sensed reality, but the
Controller does not revise his hypotheses about people in the face of
contrary evidence. Instead he insists on the truth of his own view to
the exclusion of all others. Vulnerable personalities, such as
children or traumatized adults, can in turn be disconnected from
their own emotions—from reality itself—and be replaced by
the Controller's faulty model, which the author calls a Pretend
Person. The Controller relies on this Pretend Person the way a child
relies on a security blanket, or a stuffed animal.
"Teddy,
like a real teddy bear, doesn’t leave, is as comforting as one
can imagine, and could be male or female, child or adult, and could
even be split into a number of imaginary people.”
-p95
It's a darker, almost
parasitic version of the process I described in my very first
column, where Douglas Hofstadter kept his wife “alive” in
his head as a detailed mental model that he could interact with,
consciously and conscientiously, after her death. Evans instead
stresses that the Control Connection established in her model is
unconscious, a childish defense mechanism against a painful reality.
She describes these interactions at an abstract, fantasy/magic level,
but there's now growing evidence from the hybrid field of
neuropsychoanalysis
that the bizarre delusions of certain brain-damaged patients, such as
Capgras
Syndrome, could fit this pattern. There are also many
papers detailing models of schizophrenic
delusions. We might eventually be able to work up
wiring diagrams for delusion more generally. That would certainly
please the Rube Goldbergs of the scientific community.
The other book, The
Gaslight Effect, is more a practical guide to ending a
Controller's reality-warping behaviors. Being male, I found it mildly
annoying and distracting that, following the example of the film that
inspired the name, practically all the book's examples of Controllers
were also male. But my psychic boundaries are intact, guarded by my
vigilant inner Fianna,
and I'm pretty sure I'll get over it.
Randall Hayes,
Ph.D., read Iron John during graduate school, and while
he has never bought a drum, he did grow a crappy goatee. :^{| >
REFERENCES
http://www.imdb.com/title/tt0183790/
Kind of like GRR Martin’s “Hedge Knight,” but with a posse—including a drunken, lecherous Chaucer.
Chaucer citation train
https://en.wikipedia.org/wiki/Saint_Valentine#Saint_Valentine's_Day
https://en.wikipedia.org/wiki/Parlement_of_Foules
http://www.poetryintranslation.com/PITBR/English/Fowls.php
https://topdocumentaryfilms.com/james-burke-connections/
Burke went on to write a long-running column of the same name for Scientific American.
http://www.rube-goldberg.com
https://pdfs.semanticscholar.org/2694/f84262846b04dde3a3012cdb15af582b0cda.pdf
Lays out a “maximum intermediate steps” or “incompetent design” model of evolution, quite different from the normal
assumption that efficiency rules. I may have to do a whole column about this at some point.
https://www.quora.com/What-does-weight-mean-in-terms-of-neural-networks
https://www.rpg.net/reviews/archive/classic/rev_3867.phtml
One of my favorites. More about games as writing tools in an upcoming column.
https://www.psychologytoday.com/articles/201509/the-einstein-love
http://www.slate.com/articles/double_x/doublex/2010/03/can_you_really_predict_the_success_of_a_marriage_in_15_minutes.html
Or maybe only 43%, depending on how you do the math. . .
https://www.psychologytoday.com/blog/life-art/200807/how-thin-are-your-boundaries
http://nautil.us/issue/19/illusions/how-your-brain-decides-without-you
http://www.intergalacticmedicineshow.com/cgi-bin/mag.cgi?do=columns&vol=randall_hayes&article=001
https://www.theatlantic.com/health/archive/2015/08/neuroscience-psychoanalysis-casey-schwartz-mind-fields/401999/
An excerpt of her book, which describes her experience in a hybrid master’s program, the first of its kind.
https://en.wikipedia.org/wiki/Capgras_delusion
https://www.frontiersin.org/articles/10.3389/fnhum.2016.00303/full
Stern, Robin (2007). The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life. Harmony Books, New York, NY.
https://en.wikipedia.org/wiki/Fianna
Hey, I’m Irish, partly.
Bly, Robert (1990). Iron John: A Book about Men. 25th anniversary edition by Da Capo Press, a member of the Perseus Books Group, Philadelphia, PA.
Read more by Randall Hayes