|
|
Cosmic Channel Changer
|
June 2013
Community
Community is the plucky little show that could. Following an eclectic group of
students attending the fictional Greendale Community College, it's been on the
verge of cancellation multiple times. Despite this, it's somehow managed to keep
on the air despite never really having the ratings to merit NBC's continued
investment. Just recently, it was announced that creator and showrunner Dan
Harmon, who had previously left amidst conflict with the network, would be
returning to lead the show into its fifth season.
His renewed involvement is the best thing fans could probably hope for. Season
four, robbed of his guiding hand, was simply not the same beast as it had been in
years prior. It had strong moments for sure and ended on a satisfying note, but in
many ways it was like a paint-by-numbers Mona Lisa. It looked the part, and the
hand holding the brush had skill, but you could tell that it wasn't the genuine
article. The writers taking Harmon's place knew enough to imitate his style, but
they had a hard time emulating the unique tone and heart that made the series
special.
Which is why it's hard for me to admit that I kind of wish season five weren't
happening. Harmon's return could very well be a chance for the show to return to
its peak greatness, but at the same time it runs the risk of committing what, in my
opinion, is one of the cardinal sins of television: not knowing when to stop.
Generally speaking, most shows have overarching plot threads that serve as their
foundation. Community, for instance, establishes first thing that its primary
protagonist, Jeff Winger, is a lawyer who was disbarred for lying about a
fraudulent bachelor's degree. His driving goal and reason for attending Greendale
is to earn a quick and easy degree so he can return to his old life. The show, in turn,
follows Jeff as he and the members of a study group become friends and then a
family of sorts as they grow and change through their experiences together. Season
four ends with Jeff graduating, putting a bookend on what is, essentially, a
completed narrative. The audience may want to see what happens afterward, but
honestly, it doesn't need to and would probably be better off if things just left off
where they were.
It's not to say Harmon and company would do a poor job. I can think of a few
ways, off the top of my head, that the show could continue or even re-establish its
status quo without coming across as stupid. The problem is that I've seen too many
good shows fail at the attempt to have faith, even in Community, to pull it off.
Nip/Tuck, for instance, was a brilliant show for the majority of its run. It did a great
job establishing its characters and central conflicts and spent four seasons
exploring the resulting issues before coming to what could have been a bittersweet
but appropriate ending. Then, at the last second it pulled the rug out from beneath
the plot and attempted to stretch things on for two more languid seasons that did
nothing but ignore established character development and rehash problems that had
already been resolved. It pretty much ruined the show.
Viewers could see hints of similar problems cropping up in Community's fourth
season. The character Annie (Alison Brie), for instance, started off as something of
a naïve and love stricken young woman. At the beginning of season one she
harbors a crush on her fellow student Troy (Donald Glove) which would resolve
itself only to be replaced by a running flirtation with Jeff, who was much older
than her. That said, rather than defining her character as simply being a potential
love interest, she was allowed to develop past that characteristic and to take on a
notable sense of confidence she'd lacked in earlier episodes. Her romances led to
personal growth instead of insipid drama.
Season four, however, had her character regress. It drew back on her confidence
and had her fall back in "love" with Jeff, whom she awkwardly pined for at several
points during the season's run. Granted, this could have also been a side effect of
different people taking the reins of the show and failing to come to terms with
Annie's character. That said, it also stank of a television show running out of ideas
and trying to get easy mileage out of established (but played out) romantic
elements.
That, in turn, is what bothers me so much about the prospect of a fifth season. It's
not that I don't want to see more stories involving some of the best-written
characters on television. I'm simply afraid that continuing on with the show after it
has reached an organic end point will lead to developments that don't make sense
for the characters. When you factor in other elements, like the departure of
longtime cast member Chevy Chase, it adds in further worry that quality will
decline.
Perhaps it simply comes down to my loving the show. At the end of the day I'm
going to adore any network television show that centers an entire episode around a
game of Dungeons & Dragons. Community injects near constant nods to nerd
culture that a lifelong geek like myself can't help but appreciate. That said, what
really draws me to the show is the rare emotional sincerity that permeates it.
From the word go Community established characters that are patently flawed. Jeff
is egocentric. Annie seems consistently on the verge of a nervous breakdown.
Pierce (Chevy Chase) is bitter and lonely. All the primary characters begin with
serious problems that keep them from being healthy, whole people. Their
interactions, in turn, are colored by these flaws. Where other series might approach
such subject matter with humor grounded in cynicism, Community maintains an
overarching sense of sweetness that is endlessly infectious. It's a show that makes
you smile not just because it's funny, but also because it's sometimes just plain
nice. You get a sense that these people genuinely love one another and that the
mistakes they make don't come from a place of spite, but from simply being
human.
In the end, I could be worrying for nothing. Dan Harmon has demonstrated in the
past that he knows how to employ the characters he's created. That said, even with
its flaws, season four ended on what could have been a satisfying conclusion for
the show, delivering on the mix of weirdness and sincerity fans have come to
expect. While it would be wonderful to believe we could have an endless stream of
quality Community, years spent in front of the boob tube have taught me one
reliable lesson. If a show goes on too long, it declines. I'd rather see Community
end strong than see it limp on to a fizzle.
Read more by Stewart Shearer